"I know this one pusher walks around humming a tune and everybody he passes takes it up. He is so gray and spectral and anonymous they don't see him and think it is their own mind humming the tune. So the customers come in on "Smiles," or "I'm in the Mood for Love," or "They Say We're too Young to Go Steady," or whatever the song is for that day. Sometimes you can see maybe fifty ratty-looking junkies squealing sick, running along behind a boy with a harmonica, and there is The Man on a cane seat throwing bread to the swans, a fat queen drag walking his Afghan hound through the East Fifties, an old wino pissing against an El post, a radical Jewish student giving out leaflets in Washington Square, a tree surgeon, an exterminator, an advertising fruit in Nedick's where he calls the counterman by his first name. The world network of junkies, tuned on a rancid cord of jissom, tying up in furnished rooms, shivering in the junk-sick morning. (Old Pete men suck the black smoke in the Chink laundry back room and Melancholy Baby dies from an overdose of time or cold turkey withdrawal of breath.) In Yemen, Paris, New Orleans, Mexico City and Istanbul -- shivering under the air hammers and the steam shovels, shrieked junky curses at one another neither of us heard, and The Man leaned out of a passing steam roller and I coped in a bucket of tar. (Note: Istanbul is being torn down and rebuilt, especially shabby junk quarters. Istanbul has more heroin junkies than NYC.) The living and the dead, in sickness or on the nod, hooked or kicked or hooked again, come in on the junk beam and The Connection is eating Chop Suey on Dolores Street, Mexico D.F., dunking pound cake in the automat, chased up Exchange Place by a baying pack of People. (Note: People is New Orleans slang for narcotic fuzz.)"
William S. Burroughs
Naked Lunch